The writings of writer-sage Sabyasachi Sengupta are the blazing embers of self-analysis. The descriptions of the various thrilling experiences of a long and varied life, his story of seeing people and getting to know people is depicted in a skillful yet cruel writing style. It is as if a magical and ruthless magician wanted to open the cloak of his life in the midnight crematorium to show a terrifying and ruthless philosophy of life smeared with the beauty, flavor, and smell of humans. To get his magical affection and affection, Jayanti Kanjilal comes to the crematorium in search of an unknown life. The helpless Surasatiya, the unsuccessful scientist Ghanshyam Batbyal, the astrologer Gananath Shastri?these whom he found during his Kumbh Darshan, the eyes of not only a Tantra seeker, but he also saw the suffering of life along with seeing life in the dispassion of a crematorium attendant! Along with the ghosts and tantric practices, many characters have come to his mind as if they had entered the stage - Nishi Daroga, Bhujang Mashai, Morni, Tikli, Madhushree, the crematorium madam, Kalyani who wanders around with acid wounds on her face! Or the fish-catchers of the sea, with their pitiful lives, and Rashmoni who thought the tiger was her master and gave her life in the paws of the tiger. The innermost emotions of the restless teacher Upasana Maitra, or the thoughts of Subinoy Chowdhury. Like his previously published book 'Aghornath's Tantra Story', this work is a gathering of various characters in a diverse background. It is like a watercolor of the time when fire and water mix. Where man is the god - man is salvation, the intense desire to know the man who was always in the heart of the crematorium worker.